Visual Art

“I had to live my life as I saw it.”

COMING OF AGE IN MISSISSIPPI, Anne Moody

Self Portrait | Visual Art

Self Portrait | Visual Art

Self Portrait The artist as a clown, now deconstruct. (Click on the image for a high-resolution version.)   David Weinholtz is an Artist living in Brooklyn, NY. His work continues to be inspired by the ever fascinating urban world in which he has lived for almost...
301 Motel | Visual Art

301 Motel | Visual Art

301 Motel Much of my work is in photomontage and mixed media. This image is a synthesis of several I made as traffic crept slowly down 301 in north Florida. Some people don’t care for the cut-across route from I95, south of Jacksonville, over to I75. They say it’s...
Sailboats | Visual Art

Sailboats | Visual Art

Sailboats A piece illustrating aspects of departure. How moments of action and perceived irreversibility eventually fall into their place on our floor and make little difference, little movement. This does not mean they are lacking in purpose or presence. A small gust...
You Burst My Balloon | Visual Art

You Burst My Balloon | Visual Art

You Burst My Balloon A mixed media collage depicting a doll-like woman with her chest like that of a cabinet, where her heart rests, which is as delicate as a balloon. As soon as she exposes her love, she causes herself despair. Balloons make frightful noises and...
Brian Building a Man | Visual Art

Brian Building a Man | Visual Art

Brian Building A Man Julia Leslie Guarch believes that everything is connected, and he aspires to explore those connections through her creative pursuits. “Brian Building A Man” is part of a series called “Creation.” In “Creation,” Julia Leslie Guarch investigates the...
Blandscape | Visual Art

Blandscape | Visual Art

Blandscape Blandscape is a huge acrylic painting depicting the final scene of the free world Sandra Bland ever saw.  It was painted from a still of the police video footage on the day she was pulled over, harassed, assaulted, and arrested.  The calmness and serenity...

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