by TNSF | Mar 1, 2021 | Visual Art, Vol. 4, Issue 4
Chamber Coda Chamber Coda was created exclusively with the pills found in the artist’s mother’s room after a final (successful) overdose. The nation is in the midst of an opioid epidemic, but marginalized populations are at dramatically higher risks....
by TNSF | Feb 1, 2021 | Visual Art, Vol. 4, Issue 3
Earth in Distress Earth in Distress is an abstract fluid painting that I created, in order to symbolically emphasize the impact we have on our earth such as nature, wildlife, the gradual decrease in resources, as well as the relationships with each other as human...
by TNSF | Dec 1, 2020 | Visual Art, Vol. 4, Issue 1
Easing Restrictions I like the edge of things. Edge as in poignant and slightly threatening and edge as in interconnection. I like things that already exist. It’s not just about my ecological stance and the future but about mystery and the past. This piece,...
by TNSF | Dec 1, 2020 | Visual Art, Vol. 4, Issue 1
COVID Lungs: A Trilogy The first image, COVID 1, depicts the brewing storm driven by the wet-markets in China where trafficked animals are kept in conditions of bio-insecurity which were (and remain) ripe for zoonotic events. It depicts the warning by scientists from...
by TNSF | Nov 4, 2020 | Visual Art, Vol. 3, Issue 25
River Daughters I RIVER-DAUGHTERS, I, II, III, 2020 (Watercolor on canvas, 32.3 W x 46.5 H x 13 in), is a watercolor series that examines the beauty of womanhood and femininity. In the Yorubá tradition of mother Africa, the river goddess Oshun is the incorporation of...
